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Absolutely And every time we run into something, we have a set of terms and conditions, every time we run into an issue we generally make some addition to our terms and conditions Do you accept DVD-RAM for source les We haven't had any requests yet, but we have been testing a few systems Do you think that may become another viable alternative for distributing content I think there are a few things that are going to be interesting Like Pioneer's DVD Designer And DVD-RAM tools Who was it Minerva, their Impression tool lets you import QuickTime assets and AVI assets as placeholders I think these tools are really interesting There will soon be something analogous to the Apple Media Tools and the Click Works and Icon Authors of the DVD World A lot of what I used to use Apple Media Tools for was to prototype something I then I would pass it along to my C++ programmers or Lingo programmers or even the Apple Media programming environment programmers From there, they would be able to run the show These tools that allow simple yet robust prototyping of projects are really where it is at Prototyping really seems to help people visualize and get on the same playing eld My only advice that I ever give clients is: call us rst If you wake up in the middle of the night and decide that you want to do a DVD project, call me Right then Because your project is going to be that much better If you don't call me, call some other DVD company, because your project is just going to be so much better I've had a million-dollar corporate client who made just a simple mistake in producing his artwork So, we had to make some concessions in the end product In this case, I don't think it affects the product at all But why not make it perfect I understand that Adaptec has a version of Toast that support DVD mastering Adaptec has a version of Toast that does quite a few things We've been testing it What do you think of it.

Frequently, you ll create a path whose segments join at a node in a cusp fashion; the connection is not smooth for example, a crescent moon shape has a least two sharp cusp connections between path segments When shapes have discontinuous connections when a path abruptly changes direction as it passes through a node you can set the appearance of the node connection through the Outline Pen dialog, the only area in CorelDRAW s interface that offers these options Therefore, it s always a good idea to remember that double-clicking

NAVIGATION TOOL:

Square (the default)

FIGURE 18-3

17

the Outline box on the Status Bar is your quickest route to defining how nodes look as they join two segments Figure 18-3 shows the visual effect of Round, Miter, and Square (the default) joints on a path that has cusp nodes Notice that at extremely sharp node connection angles, the Square joint option produces an area of the outline that extends way beyond the path, an exaggerated effect you might not always want in a design You can use Corner properties creatively to soften the appearance of a node connection (Round works well) and also to keep a severe cusp angle from exaggerating a connection Miter corners can often keep a path more consistent in its width than the default Corner

Line caps, the beginning and end of an open path, can look like their counterparts, the corners, covered in the previous section One of the greatest visual differences you can create is that the true width of a path is extended using the Round and Extended choices the outline width overshoots the true path s length, proportional to the width you choose for an outline Figure 18-4 shows examples of your end cap options Applying line cap options to the end points of an open path affects not only the first and last nodes appearance on an open path, but it also affects dashed and dotted line styles, as shown in Figure 18-5

.

CHAPTER 18:

Square (the default)