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The interactive handles surrounding a texture fill are the same as those for Pattern fills; they re there for you to set the size, offset, skew, and rotation of the texture If you have experience manipulating pattern fills by click-dragging the control handles above the object, you ll discover bitmap fills are exactly the same However, because these are bitmap-based textures, you ll need to take note of some transformation limitations, covered shortly As you ll discover next, each texture is based on a range of variables specific to a style type To view these core styles, you ll need to open the Texture Fill dialog (see Figure 17-9) by clicking the Edit Fill button You ll notice below that the same options available in the Property Bar are in the dialog but also included when you click the Edit Fill button are the texture variables There are settings for texture, color, frequency of properties of the textures, and so on Don t hesitate to drag a spin box value and then click Preview; although several of the values might seem to have strange labels for the values, they ll indeed modify the texture preset (changing the Texture # is a great place to begin experimenting) Also, it s very hard to give a label to some of the properties of fractal math; they re abstract attributes and fairly difficult to write in the first place! Start by choosing a type of texture from the Texture List, and then use different values in fields such as colors (another good starting place) Click Preview, and

This package shown in Figure 16 - 14 is similar in opening to that of Figure 16 - 13, but with the addition of a die-cut holder for a jewel case There is room below the die-cut for a manual or other materials

CHAPTER 17:

FIGURE 17-9

Texture fills are based on fractal and procedural math algorithms, which generate images based on math recipes

Figure 16 - 14

STEP 1:

if you like what you see, save it as a Preset, click OK to apply the texture, and then use the control handles for the Interactive Fill Tool to adjust the fill as it appears in the selected shape

Ill 17-20

Figure 16 - 15 shows an envelope with a sticky back, which is pasted into the back of a book or manual The envelope is printed with a licensing agreement, and the buyer signi es acceptance of the licensing agreement by cutting open the envelope

Fractal geometry is based on mathematical equations, whose core is beyond the scope of this book; however, fractal geometry usually appears to have the following visual characteristics:

Self-similarity Fractal designs branch with variations set by the mathematician writing the fractal math, but typically a fractal design repeats a basic structure within itself at smaller scales, branching from a main body in the design This is why many fractals look like organic forms such as ferns, broccoli, and seashells these designs in nature also obey fractal math A recursive structure with irregularities As with self-similarity, fractals repeat, with variations, as they branch If you re familiar with Euclidean geometry, fractal math is too unpredictable when plotted to 2D space to be described in Euclidian geometric functions Exist within a domain of 2D or 3D space Fractal math is used in several 3D programs to generate organic sculptures KPT Frax4D, in fact, is a plug-in for PHOTO-PAINT and other bitmap programs that can generate fractal designs in 3D space Fractals were once described by a mathematician using this analogy: if a square represents the number 2 and a cube represents the number 3, fractals live somewhere between these two integers

Understand that not all the Texture fills use fractal math; some use procedures (a recipe of equations), but overall, they re just fun to add to a design And because they re math-based they can be rendered to the size you need this is part of what the Regenerate button on the Property Bar is for

Figure 16 - 15